WHO

Our Governing Principles

First and foremost, we are believers in Christ. Our faith governs every decision we make as writers, producers, directors, and actors.

We tell stories grounded in Judeo-Christian morality—not sanitized stories, but gritty, hard-hitting explorations of the human condition. Scripture is filled with extreme conflict between good and evil, and conflict is the engine of drama.

We will portray moral compromise without rationalizing it. Whether sexual or otherwise, immoral choices have consequences.

The great dramatic conflict is the struggle between good and evil, played out through the choices of free will. That conflict offers a seemingly endless well of human, dramatic, and epic storytelling.

Salvatore Frisella | Filmmaker & Storyteller

The youngest of four, Salvatore Frisella was raised by his mother, Delores, in a large, deeply rooted Sicilian family whose origins trace back to Giardinello, Sicily, in the early 1900s.

Entrepreneurship runs in the family, spanning nursery and moving businesses, lighting, medicine, law, professional athletics, education, poetry, and the arts. The Frisella family’s five brothers raised generations of large families, with eight children being the smallest brood and fifteen the largest.

Even the name Frisella carries history: it refers to a traditional twice-baked bread, pulled from the oven midway through baking, sliced, and returned until crisp.

Salvatore has been married to his wonderful wife, Crystal, since 2010.

With more than twenty screenplays and countless treatments to his credit, his stories explore crime, the Church, the Mafia, mental illness, child abuse, dissociative identity disorder (formerly called multiple personality disorder), and human relationships.

He gravitates toward the underdog—the person who rises above poverty, oppression, and dysfunction. His tastes run toward film noir, comedy, science fiction, and a good mystery thriller.

His writing embraces harsh language, gritty subject matter, and the darker corners of human behavior. But he draws a firm line: no gratuitous nudity, no sex scenes, and no mistaking vulgarity for talent.